NEWS.- Definitely Eurovision It has established itself as a monument to gay culture in this edition of the 2015. And that despite the fact that its winner, Mäns Zelmerlöw who represented Sweden with the theme "Heroes", should show off with homophobic statements made last year on a television show: «It is not natural for a man to want to sleep with another", he released before the amazement of his companions, to go on to cross out homosexuality as «avvikelse«, Which translated into Spanish is something like "Deviation" or "abnormal." Obviously he lacked time to try to fix it on social networks "I want to apologize to all who have been offended", it explained in a statement. "I believe and hope that the vast majority know that I respect all forms of love." Look where the homophobia suddenly passed him by. Anyway, we have to admit that the Swedish staging was one of the most elegant, sober and cared for and on top of that the song was fine. So congratulations to the winner.
In addition to seeing him embrace at the end Conchita Wurst When the winner of last year gave him the prize, he had no waste, as does not have the photo in which both hold the, so that deceive us, phallic award. No comment.
But this 60 edition has left us a moment that beyond folklorism have been clearly vindicating, as the massive presence of rainbow flags in Russia's performance in the semifinals. A way to stand up to the political homophobic Putin that apparently should not have liked too much to some, because it was difficult to see them again when Russia acted in the final.
As for the Edurne, then what are we going to do! another year will be. We ended up in the 21 post, maybe in an undeserved way because the theme "Dawn" that he defended for Spain was not so bad and even in the most pessimistic moments we had predicted such a position on the final list. But the truth is that the staging had plenty of fans and the change of costumes is also a bit past. The best, the aesthetics in plan "Xena the warrior princess" with which it elicited the applause of the public.
And we finish this little chronicle of what Eurovision has given us with an image for the story, because in the future we may not remember the song that defended Lithuania, but we will hardly forget the kiss that was given three couples on the stage, two men, two women and one man with one woman. Is there a more graphic way of betting on equality?
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